| 1 | Chromatic Fantasy & Fugue, BWV903: Fantasy | Johann Sebastian Bach | 6:25 |
| 2 | Chromatic Fantasy & Fugue, BWV903: Fugue | Johann Sebastian Bach | 4:59 |
| 3 | Italian Concerto, BWV971: i. Allegro | Johann Sebastian Bach | 4:12 |
| 4 | Italian Concerto, BWV971: ii. Andante | Johann Sebastian Bach | 5:04 |
| 5 | Italian Concerto, BWV971: iii. Presto | Johann Sebastian Bach | 4:00 |
| 6 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) | Johann Sebastian Bach | 1:49 |
| 7 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad) | Johann Sebastian Bach | 1:17 |
| 8 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) | Johann Sebastian Bach | 2:27 |
| 9 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be) | Johann Sebastian Bach | 0:27 |
| 10 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione | Johann Sebastian Bach | 1:05 |
| 11 | Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione | Johann Sebastian Bach | 2:20 |
| 12 | Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin | Johann Sebastian Bach | 2:47 |
| 13 | Toccata in C Minor, BWV911 | Johann Sebastian Bach | 10:06 |
| 14 | French Suite No. 3 in B Minor BWV814: i. Allemande | Johann Sebastian Bach | 2:07 |
| 15 | French Suite No. 3 in B Minor BWV814: ii. Courante | Johann Sebastian Bach | 1:23 |
| 16 | French Suite No. 3 in B Minor BWV814: iii. Sarabande | Johann Sebastian Bach | 2:35 |
| 17 | French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio | Johann Sebastian Bach | 1:22 |
| 18 | French Suite No. 3 in B Minor BWV814: v. Gavotte | Johann Sebastian Bach | 2:58 |
| 19 | French Suite No. 3 in B Minor BWV814: vi. Gigue | Johann Sebastian Bach | 1:14 |
| 20 | French Suite No. 4 in E-flat Major, BWV815: i. Allemande | Johann Sebastian Bach | 1:20 |
| 21 | French Suite No. 4 in E-flat Major, BWV815: ii. Courante | Johann Sebastian Bach | 1:15 |
| 22 | French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande | Johann Sebastian Bach | 1:33 |
| 23 | French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte | Johann Sebastian Bach | 1:06 |
| 24 | French Suite No. 4 in E-flat Major, BWV815: v. Air | Johann Sebastian Bach | 1:24 |
| 25 | French Suite No. 4 in E-flat Major, BWV815: vi. Menuet | Johann Sebastian Bach | 0:58 |
| 26 | French Suite No. 4 in E-flat Major, BWV815: vii. Gigue | Johann Sebastian Bach | 2:30 |
| 27 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme | Johann Sebastian Bach | 7:15 |
| 28 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt | Johann Sebastian Bach | 1:12 |
| 29 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil | Johann Sebastian Bach | 6:05 |
| 30 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') | Johann Sebastian Bach | 4:39 |
| 31 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir | Johann Sebastian Bach | 1:48 |
| 32 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! | Johann Sebastian Bach | 4:14 |
| 33 | Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen | Johann Sebastian Bach | 1:55 |
| 34 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden | Johann Sebastian Bach | 5:45 |
| 35 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt | Johann Sebastian Bach | 3:51 |
| 36 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn | Johann Sebastian Bach | 2:03 |
| 37 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg | Johann Sebastian Bach | 2:33 |
| 38 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm | Johann Sebastian Bach | 3:48 |
| 39 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest | Johann Sebastian Bach | 1:56 |
| 40 | Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl | Johann Sebastian Bach | 1:18 |
| 41 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein | Johann Sebastian Bach | 2:51 |
| 42 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt | Johann Sebastian Bach | 6:01 |
| 43 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor | Johann Sebastian Bach | 1:29 |
| 44 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt | Johann Sebastian Bach | 2:20 |
| 45 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht | Johann Sebastian Bach | 1:26 |
| 46 | Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr | Johann Sebastian Bach | 0:45 |
| 47 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir | Johann Sebastian Bach | 4:34 |
| 48 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib | Johann Sebastian Bach | 5:35 |
| 49 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken | Johann Sebastian Bach | 1:08 |
| 50 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren | Johann Sebastian Bach | 9:24 |
| 51 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz | Johann Sebastian Bach | 1:07 |
| 52 | Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich | Johann Sebastian Bach | 1:17 |
| 53 | Magnificat in D, BWV243: i. Coro: Magnificat anima mea | Johann Sebastian Bach | 3:09 |
| 54 | Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus | Johann Sebastian Bach | 2:28 |
| 55 | Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem | Johann Sebastian Bach | 2:50 |
| 56 | Magnificat in D, BWV243: iv. Coro: Omnes generationes | Johann Sebastian Bach | 1:33 |
| 57 | Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna | Johann Sebastian Bach | 2:14 |
| 58 | Magnificat in D, BWV243: vi. Duetto: Et misericordia | Johann Sebastian Bach | 3:50 |
| 59 | Magnificat in D, BWV243: vii. Coro: Fecit potentiam | Johann Sebastian Bach | 2:06 |
| 60 | Magnificat in D, BWV243: viii. Aria: Deposuit potentes | Johann Sebastian Bach | 2:24 |
| 61 | Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis | Johann Sebastian Bach | 2:52 |
| 62 | Magnificat in D, BWV243: x. Terzetto: Suscepit Israel | Johann Sebastian Bach | 2:18 |
| 63 | Magnificat in D, BWV243: xi. Coro: Sicut locutus est | Johann Sebastian Bach | 1:23 |
| 64 | Magnificat in D, BWV243: xii. Coro: Gloria Patri | Johann Sebastian Bach | 2:10 |
| 65 | Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio | Johann Sebastian Bach | 4:38 |
| 66 | Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro | Johann Sebastian Bach | 3:22 |
| 67 | Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante | Johann Sebastian Bach | 3:48 |
| 68 | Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro | Johann Sebastian Bach | 3:33 |
| 69 | Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio | Johann Sebastian Bach | 3:47 |
| 70 | Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai | Johann Sebastian Bach | 3:09 |
| 71 | Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco | Johann Sebastian Bach | 4:04 |
| 72 | No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto | Johann Sebastian Bach | 4:53 |
| 73 | Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio | Johann Sebastian Bach | 6:47 |
| 74 | Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro | Johann Sebastian Bach | 3:13 |
| 75 | Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto | Johann Sebastian Bach | 6:09 |
| 76 | Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro | Johann Sebastian Bach | 3:46 |
| 77 | Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano | Johann Sebastian Bach | 7:20 |
| 78 | Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro | Johann Sebastian Bach | 4:42 |
| 79 | Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio | Johann Sebastian Bach | 4:44 |
| 80 | Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro | Johann Sebastian Bach | 4:36 |
| 81 | Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo | Johann Sebastian Bach | 7:35 |
| 82 | Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro | Johann Sebastian Bach | 4:45 |
| 83 | Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio | Johann Sebastian Bach | 5:32 |
| 84 | Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace | Johann Sebastian Bach | 2:09 |
| 85 | Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro | Johann Sebastian Bach | 3:47 |
| 86 | Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo | Johann Sebastian Bach | 2:08 |
| 87 | Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro | Johann Sebastian Bach | 5:13 |
| 88 | Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio | Johann Sebastian Bach | 4:15 |
| 89 | Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro | Johann Sebastian Bach | 3:06 |
| 90 | Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach | 8:57 |
| 91 | Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte | Johann Sebastian Bach | 0:45 |
| 92 | Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen | Johann Sebastian Bach | 1:02 |
| 93 | Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester | Johann Sebastian Bach | 0:29 |
| 94 | Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest | Johann Sebastian Bach | 0:19 |
| 95 | Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien | Johann Sebastian Bach | 0:32 |
| 96 | Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath | Johann Sebastian Bach | 0:34 |
| 97 | Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete | Johann Sebastian Bach | 1:26 |
| 98 | Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du | Johann Sebastian Bach | 1:10 |
| 99 | Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu | Johann Sebastian Bach | 5:21 |
| 100 | Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer | Johann Sebastian Bach | 0:40 |
| 101 | Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz | Johann Sebastian Bach | 4:01 |
| 102 | Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot | Johann Sebastian Bach | 0:11 |
| 103 | Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere | Johann Sebastian Bach | 0:23 |
| 104 | Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt | Johann Sebastian Bach | 1:42 |
| 105 | Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen | Johann Sebastian Bach | 1:05 |
| 106 | Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir | Johann Sebastian Bach | 3:37 |
| 107 | Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt | Johann Sebastian Bach | 1:54 |
| 108 | Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken | Johann Sebastian Bach | 4:28 |
| 109 | Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten | Johann Sebastian Bach | 1:07 |
| 110 | Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter | Johann Sebastian Bach | 1:19 |
| 111 | Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm | Johann Sebastian Bach | 1:09 |
| 112 | Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen | Johann Sebastian Bach | 1:19 |
| 113 | Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe | Johann Sebastian Bach | 1:40 |
| 114 | Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz | Johann Sebastian Bach | 2:35 |
| 115 | Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen | Johann Sebastian Bach | 5:50 |
| 116 | Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig | Johann Sebastian Bach | 0:50 |
| 117 | Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder | Johann Sebastian Bach | 1:23 |
| 118 | Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen | Johann Sebastian Bach | 6:05 |
| 119 | Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern | Johann Sebastian Bach | 1:19 |
| 120 | Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit | Johann Sebastian Bach | 1:23 |
| 121 | Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend | Johann Sebastian Bach | 2:31 |
| 122 | Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden? | Johann Sebastian Bach | 5:24 |
| 123 | Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren | Johann Sebastian Bach | 2:24 |
| 124 | Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß | Johann Sebastian Bach | 9:15 |
| 125 | Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin | Johann Sebastian Bach | 4:57 |
| 126 | Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten | Johann Sebastian Bach | 1:09 |
| 127 | Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht' | Johann Sebastian Bach | 0:59 |
| 128 | Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten | Johann Sebastian Bach | 1:20 |
| 129 | Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille | Johann Sebastian Bach | 1:19 |
| 130 | Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen! | Johann Sebastian Bach | 4:24 |
| 131 | Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig | Johann Sebastian Bach | 1:42 |
| 132 | Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe | Johann Sebastian Bach | 0:43 |
| 133 | Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen | Johann Sebastian Bach | 1:02 |
| 134 | Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen | Johann Sebastian Bach | 1:19 |
| 135 | Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen | Johann Sebastian Bach | 1:15 |
| 136 | Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott | Johann Sebastian Bach | 7:52 |
| 137 | Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen | Johann Sebastian Bach | 1:14 |
| 138 | Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an | Johann Sebastian Bach | 1:13 |
| 139 | Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel | Johann Sebastian Bach | 0:51 |
| 140 | Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder | Johann Sebastian Bach | 3:48 |
| 141 | Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat | Johann Sebastian Bach | 2:23 |
| 142 | Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege | Johann Sebastian Bach | 1:21 |
| 143 | Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen! | Johann Sebastian Bach | 2:44 |
| 144 | Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe! | Johann Sebastian Bach | 0:58 |
| 145 | Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte | Johann Sebastian Bach | 0:17 |
| 146 | Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan | Johann Sebastian Bach | 1:27 |
| 147 | Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben | Johann Sebastian Bach | 5:49 |
| 148 | Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los | Johann Sebastian Bach | 2:24 |
| 149 | Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott! | Johann Sebastian Bach | 1:21 |
| 150 | Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen | Johann Sebastian Bach | 8:11 |
| 151 | Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig | Johann Sebastian Bach | 1:21 |
| 152 | Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden | Johann Sebastian Bach | 2:46 |
| 153 | Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten | Johann Sebastian Bach | 0:55 |
| 154 | Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut | Johann Sebastian Bach | 0:38 |
| 155 | Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen | Johann Sebastian Bach | 6:55 |
| 156 | Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst | Johann Sebastian Bach | 3:44 |
| 157 | Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen | Johann Sebastian Bach | 0:18 |
| 158 | Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha! | Johann Sebastian Bach | 2:06 |
| 159 | Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand | Johann Sebastian Bach | 3:44 |
| 160 | Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee | Johann Sebastian Bach | 2:19 |
| 161 | Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach | 1:53 |
| 162 | Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da | Johann Sebastian Bach | 2:45 |
| 163 | Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war | Johann Sebastian Bach | 2:25 |
| 164 | Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein | Johann Sebastian Bach | 8:03 |
| 165 | Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen | Johann Sebastian Bach | 2:59 |
| 166 | Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht | Johann Sebastian Bach | 2:22 |
| 167 | Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder | Johann Sebastian Bach | 7:03 |
| 168 | Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace | Johann Sebastian Bach | 4:17 |
| 169 | Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce | Johann Sebastian Bach | 3:12 |
| 170 | Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro | Johann Sebastian Bach | 4:57 |
| 171 | Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro] | Johann Sebastian Bach | 3:30 |
| 172 | Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio | Johann Sebastian Bach | 4:21 |
| 173 | Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro | Johann Sebastian Bach | 4:28 |
| 174 | Partita in A Minor for Solo Flute, BWV 1013: i. Allemande | Johann Sebastian Bach | 3:17 |
| 175 | Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente | Johann Sebastian Bach | 3:37 |
| 176 | Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande | Johann Sebastian Bach | 4:11 |
| 177 | Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise | Johann Sebastian Bach | 2:41 |
| 178 | Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto | Johann Sebastian Bach | 3:55 |
| 179 | Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro | Johann Sebastian Bach | 4:42 |
| 180 | Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano | Johann Sebastian Bach | 2:43 |
| 181 | Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid | Johann Sebastian Bach | 3:03 |
| 182 | Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro | Johann Sebastian Bach | 3:27 |
| 183 | Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2 | Johann Sebastian Bach | 3:16 |
| 184 | Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto | Johann Sebastian Bach | 4:08 |
| 185 | Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro | Johann Sebastian Bach | 3:32 |
| 186 | Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante | Johann Sebastian Bach | 2:32 |
| 187 | Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro | Johann Sebastian Bach | 2:33 |
| 188 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten | Johann Sebastian Bach | 6:11 |
| 189 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu | Johann Sebastian Bach | 0:31 |
| 190 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden | Johann Sebastian Bach | 3:59 |
| 191 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen | Johann Sebastian Bach | 0:45 |
| 192 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen | Johann Sebastian Bach | 2:48 |
| 193 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke | Johann Sebastian Bach | 0:52 |
| 194 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen | Johann Sebastian Bach | 4:33 |
| 195 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe | Johann Sebastian Bach | 0:30 |
| 196 | Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage | Johann Sebastian Bach | 1:53 |
| 197 | Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor | Johann Sebastian Bach | 7:02 |
| 198 | Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore | Johann Sebastian Bach | 1:25 |
| 199 | Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore | Johann Sebastian Bach | 9:54 |
| 200 | Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta | Johann Sebastian Bach | 0:38 |
| 201 | Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento | Johann Sebastian Bach | 6:13 |
| 202 | Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen! | Johann Sebastian Bach | 5:09 |
| 203 | Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an | Johann Sebastian Bach | 2:55 |
| 204 | Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte | Johann Sebastian Bach | 5:10 |
| 205 | Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia | Johann Sebastian Bach | 6:12 |
| 206 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott | Johann Sebastian Bach | 6:38 |
| 207 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren | Johann Sebastian Bach | 4:06 |
| 208 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes | Johann Sebastian Bach | 2:25 |
| 209 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus | Johann Sebastian Bach | 4:01 |
| 210 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär | Johann Sebastian Bach | 4:19 |
| 211 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne | Johann Sebastian Bach | 1:29 |
| 212 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen | Johann Sebastian Bach | 4:14 |
| 213 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn | Johann Sebastian Bach | 1:52 |
| 214 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen | Johann Sebastian Bach | 5:05 |
| 215 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf | Johann Sebastian Bach | 0:36 |
| 216 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah? | Johann Sebastian Bach | 1:19 |
| 217 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben | Johann Sebastian Bach | 7:09 |
| 218 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends | Johann Sebastian Bach | 0:29 |
| 219 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir | Johann Sebastian Bach | 1:32 |
| 220 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren | Johann Sebastian Bach | 1:17 |
| 221 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück | Johann Sebastian Bach | 0:39 |
| 222 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an | Johann Sebastian Bach | 0:47 |
| 223 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke | Johann Sebastian Bach | 7:04 |
| 224 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen | Johann Sebastian Bach | 4:46 |
| 225 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.) | Johann Sebastian Bach | 1:54 |
| 226 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.) | Johann Sebastian Bach | 0:58 |
| 227 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.) | Johann Sebastian Bach | 0:52 |
| 228 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.) | Johann Sebastian Bach | 2:32 |
| 229 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.) | Johann Sebastian Bach | 1:05 |
| 230 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.) | Johann Sebastian Bach | 0:50 |
| 231 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga) | Johann Sebastian Bach | 0:46 |
| 232 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.) | Johann Sebastian Bach | 0:46 |
| 233 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.) | Johann Sebastian Bach | 0:59 |
| 234 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.) | Johann Sebastian Bach | 0:51 |
| 235 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.) | Johann Sebastian Bach | 0:48 |
| 236 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.) | Johann Sebastian Bach | 0:55 |
| 237 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.) | Johann Sebastian Bach | 1:29 |
| 238 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.) | Johann Sebastian Bach | 2:34 |
| 239 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante) | Johann Sebastian Bach | 1:10 |
| 240 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.) | Johann Sebastian Bach | 1:56 |
| 241 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.) | Johann Sebastian Bach | 1:59 |
| 242 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.) | Johann Sebastian Bach | 1:01 |
| 243 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.) | Johann Sebastian Bach | 0:40 |
| 244 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.) | Johann Sebastian Bach | 1:00 |
| 245 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.) | Johann Sebastian Bach | 1:05 |
| 246 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve) | Johann Sebastian Bach | 1:20 |
| 247 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.) | Johann Sebastian Bach | 0:46 |
| 248 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.) | Johann Sebastian Bach | 1:09 |
| 249 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio) | Johann Sebastian Bach | 1:38 |
| 250 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.) | Johann Sebastian Bach | 3:45 |
| 251 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.) | Johann Sebastian Bach | 1:15 |
| 252 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.) | Johann Sebastian Bach | 0:53 |
| 253 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.) | Johann Sebastian Bach | 2:18 |
| 254 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.) | Johann Sebastian Bach | 2:06 |
| 255 | Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31 | Johann Sebastian Bach | 1:30 |
| 256 | Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo | Johann Sebastian Bach | 2:05 |
| 257 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia | Johann Sebastian Bach | 4:17 |
| 258 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio | Johann Sebastian Bach | 4:54 |
| 259 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe | Johann Sebastian Bach | 5:04 |
| 260 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn | Johann Sebastian Bach | 1:14 |
| 261 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien | Johann Sebastian Bach | 7:31 |
| 262 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft | Johann Sebastian Bach | 1:09 |
| 263 | 263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer | Johann Sebastian Bach | 7:19 |
| 264 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir | Johann Sebastian Bach | 0:59 |
| 265 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde | Johann Sebastian Bach | 4:40 |
| 266 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut | Johann Sebastian Bach | 0:46 |
| 267 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank | Johann Sebastian Bach | 3:07 |
| 268 | Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50 | Johann Sebastian Bach | 3:59 |
| 269 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet! | Johann Sebastian Bach | 4:29 |
| 270 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder | Johann Sebastian Bach | 1:39 |
| 271 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag | Johann Sebastian Bach | 4:31 |
| 272 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen | Johann Sebastian Bach | 0:50 |
| 273 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen | Johann Sebastian Bach | 3:02 |
| 274 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte | Johann Sebastian Bach | 0:41 |
| 275 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele | Johann Sebastian Bach | 2:08 |
| 276 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor | Johann Sebastian Bach | 3:43 |
| 277 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag | Johann Sebastian Bach | 2:16 |
| 278 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag | Johann Sebastian Bach | 3:20 |
| 279 | Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht | Johann Sebastian Bach | 1:20 |
| 280 | Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde” | Johann Sebastian Bach | 9:27 |
| 281 | Passion According to St. John, BWV245: Aria, “Est ist vollbracht” | Johann Sebastian Bach | 6:50 |
| 282 | Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde” | Johann Sebastian Bach | 9:03 |
| 283 | Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland” | Johann Sebastian Bach | 5:55 |
| 284 | Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich' | Johann Sebastian Bach | 8:47 |
| 285 | Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden” | Johann Sebastian Bach | 1:37 |
| 286 | Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut” | Johann Sebastian Bach | 3:20 |
| 287 | Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion” | Johann Sebastian Bach | 5:28 |
| 288 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia | Johann Sebastian Bach | 7:29 |
| 289 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben | Johann Sebastian Bach | 2:26 |
| 290 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes? | Johann Sebastian Bach | 1:00 |
| 291 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt | Johann Sebastian Bach | 5:32 |
| 292 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei | Johann Sebastian Bach | 0:31 |
| 293 | Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst | Johann Sebastian Bach | 1:03 |