| 1 | Sometimes the Instruments Themselves Suggest Structure | George Marsh & W. A. Mathieu | 2:23 |
| 2 | This Is a Cross-Pulse Piece | George Marsh & W. A. Mathieu | 2:59 |
| 3 | The Brushes Set the Mood | George Marsh & W. A. Mathieu | 2:35 |
| 4 | A Finger-Damped Piano String Leads the Pulse | George Marsh & W. A. Mathieu | 2:48 |
| 5 | This Piece Seems to Pass by Like Landscape | George Marsh & W. A. Mathieu | 6:09 |
| 6 | The Percussion Sets the Pulse, the Piano Guides the Story | George Marsh & W. A. Mathieu | 2:52 |
| 7 | The Percussion Is All Metal; The Piano Is African-Inspired | George Marsh & W. A. Mathieu | 3:53 |
| 8 | The Piano Leads This Motific Piece | George Marsh & W. A. Mathieu | 3:25 |
| 9 | The Music Led Us to Its Own Mysterious Ending | George Marsh & W. A. Mathieu | 3:11 |
| 10 | The Percussion Tells the Story in This Pulse Piece | George Marsh & W. A. Mathieu | 5:09 |
| 11 | Exquisitely Subtle Single Hand-Drum, With Piano Pictures | George Marsh & W. A. Mathieu | 2:06 |
| 12 | This Piece Reminds Me of the Gamelans of Indonesia | George Marsh & W. A. Mathieu | 4:13 |
| 13 | Cymbals Lead the Music in What Could Be an Act III Overture | George Marsh & W. A. Mathieu | 1:36 |
| 14 | The Gongs and Their Strange Tunings Lead Us-Where? | George Marsh & W. A. Mathieu | 3:21 |
| 15 | The Percussion Leads a Cross-Pulse Piece | George Marsh & W. A. Mathieu | 2:26 |
| 16 | I Pay Homage to My Secret 19th Century Romantic Self | George Marsh & W. A. Mathieu | 2:07 |
| 17 | A Scherzoid Interlude Led First by Brushes, Then Sticks | George Marsh & W. A. Mathieu | 1:33 |
| 18 | This Is Like the Game Who Leads, and as Close to Jazz as We Get | George Marsh & W. A. Mathieu | 2:24 |
| 19 | Begins Like Gamelan Piece, but Veers Off Unexpectedly | George Marsh & W. A. Mathieu | 2:41 |
| 20 | This Is Another Pure Just Play Piece: No Game | George Marsh & W. A. Mathieu | 3:11 |
| 21 | Georgian Owl | George Marsh & W. A. Mathieu | 2:42 |