山丘唱片库THE HILL RECORDS
♪
发行版 / MUSIC ARCHIVE

The 1953 American Decca Recordings

Leonard Bernstein

TRACKLIST

曲目表

碟片 2

序号曲目艺人时长
1Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)[dialogue]9:12
2Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."[dialogue]1:11
3Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro moltoAntonín Dvořák8:51
4Symphony No. 9 in E minor, Op. 95 "From the New World": II. LargoAntonín Dvořák13:32
5Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivaceAntonín Dvořák7:16
6Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuocoAntonín Dvořák11:33
7Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)[dialogue]9:51
8Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)[dialogue]3:22
9Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)[dialogue]1:40
10Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)[dialogue]5:00
11Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)[dialogue]1:01

碟片 3

序号曲目艺人时长
1Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuocoRobert Schumann12:27
2Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivaceRobert Schumann6:58
3Symphony No. 2 in C major, Op. 61: III. Adagio espressivoRobert Schumann11:53
4Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivaceRobert Schumann8:14
5Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)[dialogue]4:22
6Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."[dialogue]1:48
7Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)[dialogue]8:39
8Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)[dialogue]6:51
9Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)[dialogue]4:49
10Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)[dialogue]7:31
11Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)[dialogue]5:15

碟片 4

序号曲目艺人时长
1Symphony No. 4 in E minor, Op. 98: I. Allegro non troppoJohannes Brahms11:50
2Symphony No. 4 in E minor, Op. 98: II. Andante moderatoJohannes Brahms11:53
3Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo IJohannes Brahms6:07
4Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegroJohannes Brahms11:01
5Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)[dialogue]4:44
6Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)[dialogue]5:15
7Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)[dialogue]3:23
8Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)[dialogue]5:47
9Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)[dialogue]2:41
10Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)[dialogue]9:34
11Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)[dialogue]2:16
12Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)[dialogue]3:18
13Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)[dialogue]2:11

碟片 5

序号曲目艺人时长
1Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppoПётр Ильич Чайковский18:43
2Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con graziaПётр Ильич Чайковский8:14
3Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivaceПётр Ильич Чайковский9:08
4Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – AndanteПётр Ильич Чайковский11:26
5Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)[dialogue]9:18
6Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)[dialogue]1:58
7Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)[dialogue]1:56
8Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)[dialogue]1:50
9Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)[dialogue]3:40
10Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"[dialogue]6:01