Classics Explained: Schubert Piano Quintet "Trout" (Written and Narrated by Jeremy Siepmann)

Jeremy Siepmann

TRACKLIST

曲目表

碟片 1

序号	曲目	艺人	时长
1	Introduction, origins	Jeremy Siepmann	1:39
2	Imagery, analogy and the shape of the things to come; the opening flourish	Jeremy Siepmann	1:50
3	The unusual presence of the double-bass	Jeremy Siepmann	0:54
4	A palette of tone colours and the emergence of a theme	Jeremy Siepmann	0:47
5	Trouble getting off the ground, but the key is not in doubt.	Jeremy Siepmann	0:49
6	Jumping the queue: Schubert takes a lesson from Mozart.	Jeremy Siepmann	1:33
7	Mozart demonstrates a traditional transition.	Jeremy Siepmann	0:33
8	Destination clarified	Jeremy Siepmann	0:07
9	Mozart confirms our arrival.	Jeremy Siepmann	0:08
10	A Schubertian shocker from a later work	Jeremy Siepmann	0:52
11	Rejoining the 'Trout', with a reminder	Jeremy Siepmann	0:27
12	The piano joins the strings with yet a third variant of the theme.	Jeremy Siepmann	0:31
13	A rhythmic motto: the 'triplet motif'	Jeremy Siepmann	1:26
14	We get it here.	Jeremy Siepmann	0:17
15	We get it there.	Jeremy Siepmann	0:17
16	We find it everywhere, even in the double-bass.	Jeremy Siepmann	0:27
17	The strings' answer to the piano's opening flourish	Jeremy Siepmann	0:36
18	The two-part structure of the 'answering motif'...	Jeremy Siepmann	0:24
19	...but scarcely ever the same way twice	Jeremy Siepmann	0:34
20	The piano and strings now share the material for the first time.	Jeremy Siepmann	0:42
21	Conversation as the first principle of chamber music	Jeremy Siepmann	0:43
22	Opening (introductory) section heard complete	Jeremy Siepmann	1:01
23	The violin and double-bass in partnership	Jeremy Siepmann	1:16
24	The violin and piano swap roles.	Jeremy Siepmann	0:59
25	Transition to second main theme; triplets now everywhere	Jeremy Siepmann	1:12
26	On the threshold of the new theme	Jeremy Siepmann	0:30
27	Second main theme (a 'love duet'), shared by cello and viola	Jeremy Siepmann	1:24
28	The abandonment of octaves in the piano changes the tone colour.	Jeremy Siepmann	1:07
29	A surprising change of tone and a premonition	Jeremy Siepmann	0:39
30	A return to lyricism, but the cello jumps the gun	Jeremy Siepmann	0:37
31	A buoyant, skipping new theme is given to the solo piano.	Jeremy Siepmann	0:36
32	Re-entry of the strings as the violin takes up the new theme	Jeremy Siepmann	0:25
33	A transitional theme, and another Schubertian key-jump	Jeremy Siepmann	1:33
34	We sense the imminent arrival of the closing theme.	Jeremy Siepmann	1:31
35	A sudden, hushed key-change introduces part two of the closing theme.	Jeremy Siepmann	0:40
36	The exposition comes to an end.	Jeremy Siepmann	0:32
37	Cue to complete exposition	Jeremy Siepmann	0:06
38	Music: exposition complete	Jeremy Siepmann	4:09
39	Introduction to the development; the genetic code of 'key'	Jeremy Siepmann	7:20
40	The contrasting aural properties of piano and violin	Jeremy Siepmann	1:03
41	The ponderous double-bass is featured in the first main theme	Jeremy Siepmann	0:49
42	The strings are liberated from servitude, but are a long way from home.	Jeremy Siepmann	0:42
43	A joyful conversation and a change of pace in the piano	Jeremy Siepmann	1:06
44	The piano takes the melodic lead again.	Jeremy Siepmann	0:31
45	A conversation between violin and piano leads to the exposition...	Jeremy Siepmann	1:20
46	...but Schubert gets it 'wrong'.	Jeremy Siepmann	1:35
47	Piano Quintet in A major "Trout", D. 667: I. Allegro vivace (Kodály Quartet feat. piano: Jenő Jandó)	Franz Schubert	9:09
48	Introduction to second movement	Jeremy Siepmann	1:53
49	The violin now takes theme one.	Jeremy Siepmann	0:29
50	The piano regains the theme.	Jeremy Siepmann	0:42
51	The violin and piano round off first section with the new 'closing' theme.	Jeremy Siepmann	0:35
52	A major change of tone: a passing cloud and a dark new key	Jeremy Siepmann	1:19
53	The piano abandons its octaves, but not its triplets, in the new 'Hungarian' theme.	Jeremy Siepmann	1:28
54	The sun returns with a new theme, in two contrasting parts.	Jeremy Siepmann	1:21
55	An evaporating dialogue between violin and piano	Jeremy Siepmann	0:58
56	A major mood change as twilight falls	Jeremy Siepmann	1:12
57	Cue to whole movement	Jeremy Siepmann	0:33
58	Piano Quintet in A major "Trout", D. 667: II. Andante (Kodály Quartet feat. piano: Jenő Jandó)	Franz Schubert	7:30

碟片 2

序号	曲目	艺人	时长
1	Introduction to the Scherzo - And a Clear Four-Bar Phrase...	Jeremy Siepmann	1:37
2	..."Answered" by Two Two-Bar Phrases	Jeremy Siepmann	0:21
3	A Disconcerting "Echo"	Jeremy Siepmann	1:02
4	Expectation, Frustration and Surprise	Jeremy Siepmann	0:27
5	The Phrase Length Exands From Nine to Fourteen Bars	Jeremy Siepmann	0:36
6	The Beginning of the Second Half...	Jeremy Siepmann	1:07
7	... or Should It Go From G minor to D major?	Jeremy Siepmann	0:08
8	Doubts Are Sown as the Tonality Becomes Elusive.	Jeremy Siepmann	0:48
9	A Varied Reprise of Part One, and the End of the Scherzo Proper	Jeremy Siepmann	0:33
10	A Conversational Start to the Trio Section	Jeremy Siepmann	0:40
11	Another Schubertian Phrase Extension	Jeremy Siepmann	0:25
12	Two Overlapping Phrases Add Up to a Single Theme.	Jeremy Siepmann	0:22
13	The Piano Adds a Third Phrase to the Overlap.	Jeremy Siepmann	0:32
14	The Overlaps Continue as the Key Drifts Downwads	Jeremy Siepmann	0:36
15	Another Schubertian Key-Jump, Now to B flat	Jeremy Siepmann	0:45
16	A Dramatic Transformation of Mood	Jeremy Siepmann	0:52
17	Awakening From a Dream: The Main Theme's Return	Jeremy Siepmann	0:51
18	Cue to Complete Scherzo	Jeremy Siepmann	0:11
19	Piano Quintet in A major "Trout", D. 667: III. Scherzo: Presto (Kodály Quartet feat. piano: Jenő Jandó)	Franz Schubert	3:52
20	Enter the Trout, at Last; A Meeting With the Original	Jeremy Siepmann	0:30
21	Music: "Die Forelle"	Jeremy Siepmann	1:59
22	Back to the Quintet: The Strings, Headed by the Violin, Introduce the Theme.	Jeremy Siepmann	1:24
23	The First Variation	Jeremy Siepmann	1:41
24	The Second Variation	Jeremy Siepmann	1:14
25	The Third Variation	Jeremy Siepmann	1:20
26	The Fourth Variation, Part One	Jeremy Siepmann	1:33
27	The Fourth Variation, Part Two	Jeremy Siepmann	0:57
28	The Fifth Variation	Jeremy Siepmann	2:45
29	The Final Variation, Part One: Violin and Piano Alone Introduce the Theme	Jeremy Siepmann	0:31
30	The Final Variation, Part Two: The Cello Takes the Tune.	Jeremy Siepmann	0:25
31	The Final Variation, Part Three: Piano and Violin Return as a Duo...	Jeremy Siepmann	0:25
32	The Final Variation, Part Four: ...as Do the Viola and Cello.	Jeremy Siepmann	0:17
33	The Final Variation, Part Five: The Entire Ensemble Is Reunited.	Jeremy Siepmann	0:39
34	Piano Quintet in A major "Trout", D. 667: IV. Theme: Andantino (Kodály Quartet feat. piano: Jenő Jandó)	Franz Schubert	7:09
35	Introduction to the Finale: Schubert as Wizard of Repetition	Jeremy Siepmann	2:17
36	Easily Overlooked: The Accompaniment From Cello and Double-Bass	Jeremy Siepmann	0:36
37	Contrasts of Timbre and Register	Jeremy Siepmann	0:59
38	A Repetition, and Yet Not a Repetition	Jeremy Siepmann	0:07
39	A Journey Begun; The Phenomenon of Musical Gravity	Jeremy Siepmann	0:22
40	The Journey Completed	Jeremy Siepmann	0:16
41	The Source of Musical Gravity	Jeremy Siepmann	0:22
42	Music: Saint-Saens - The Carnival of the Animals "The Pianists"	Jeremy Siepmann	0:28
43	A Scale of Shifting Tensions	Jeremy Siepmann	0:49
44	Music: Beethoven, Symphony No. 1 (Finale)	Jeremy Siepmann	0:37
45	Back to Schubert	Jeremy Siepmann	0:39
46	The Piano Embellishes a Scalewise Descent.	Jeremy Siepmann	0:18
47	A Retrospective Moment	Jeremy Siepmann	0:33
48	Repetition More Apparent Then Real	Jeremy Siepmann	1:02
49	A Taste of Phrase Rhythm	Jeremy Siepmann	1:26
50	Shifting Patterns of Accentuation	Jeremy Siepmann	0:27
51	The Section Reviewed	Jeremy Siepmann	0:15
52	An Increasingly Sophisticated Texture as Parts Interact	Jeremy Siepmann	0:46
53	More Phrase Rhythm	Jeremy Siepmann	0:29
54	A Repetition From the Strings...	Jeremy Siepmann	0:11
55	... and an Answer From the Piano	Jeremy Siepmann	0:13
56	In Transition to the Secondary Key	Jeremy Siepmann	0:51
57	The Origin of the Second Theme	Jeremy Siepmann	0:19
58	The Second Main Theme	Jeremy Siepmann	0:38
59	The Closing Section Begins, With a Question Answered.	Jeremy Siepmann	0:42
60	The Question Repeated, a Slightly Different Answer	Jeremy Siepmann	0:28
61	First Theme of Closing Section Reviewed	Jeremy Siepmann	0:59
62	Remembrance of Things Past	Jeremy Siepmann	0:28
63	The Piano and Strings Argue Over the Harmony.	Jeremy Siepmann	1:13
64	Emergence of the Final Theme	Jeremy Siepmann	0:24
65	An Unexpected Thunderstorm	Jeremy Siepmann	0:51
66	The Sound of Silence	Jeremy Siepmann	1:29
67	Cue to Complete Finale	Jeremy Siepmann	1:00
68	Piano Quintet in A major "Trout", D. 667: V. Finale: Allegro giusto (Kodály Quartet feat. piano: Jenő Jandó)	Franz Schubert	6:47