| 1 | Canon a 4 perpetuus BWV 1073 | Johann Sebastian Bach | 1:42 |
| 2 | Canon a 4 BWV 1074 | Johann Sebastian Bach | 1:53 |
| 3 | Canon a 2 BWV 1075 | Johann Sebastian Bach | 0:36 |
| 4 | Canon super fa mi a 7 BWV 1078 | Johann Sebastian Bach | 1:39 |
| 5 | Canon a 2 “Concordia discors” BWV 1086 | Johann Sebastian Bach | 1:22 |
| 6 | Canon a 8 “Trias Harmonica” BWV 1072 | Johann Sebastian Bach | 0:46 |
| 7 | Canon triplex a 6 BWV 1076 | Johann Sebastian Bach | 0:33 |
| 8 | Canon for 4 Voices and Bass "Canone doppio sopr’il Soggetto", BWV 1077 | Johann Sebastian Bach | 0:56 |
| 9 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 1. Canon simplex | Johann Sebastian Bach | 0:21 |
| 10 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 2. All’ roverscio | Johann Sebastian Bach | 0:21 |
| 11 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich, motu recto e contrario | Johann Sebastian Bach | 0:16 |
| 12 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 4. In motu contrario e recto | Johann Sebastian Bach | 0:19 |
| 13 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 5. Canon duplex a 4 | Johann Sebastian Bach | 0:23 |
| 14 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 6. Canon simplex über besagtes Fundament a 3 | Johann Sebastian Bach | 0:39 |
| 15 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 7. Idem a 3 | Johann Sebastian Bach | 0:20 |
| 16 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 8. Canon simplex a 3, il soggetto in Alto | Johann Sebastian Bach | 0:23 |
| 17 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 9. Canon in unisono post semifusam a 3 | Johann Sebastian Bach | 0:19 |
| 18 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 10. Alio modo, per syncptiones et per ligaturas, a 2 – Evolutio | Johann Sebastian Bach | 0:22 |
| 19 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 11. Canon duplex übers Fundament a 5 (version of BWV 1077) | Johann Sebastian Bach | 0:52 |
| 20 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 12. Canon duplex über besagte Fundamental-Noten a 5 | Johann Sebastian Bach | 0:33 |
| 21 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 13. Canon triplex a 6 (version of BWV 1076) | Johann Sebastian Bach | 0:35 |
| 22 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 14. Canon a 4 per Augmentationem et Diminutionem | Johann Sebastian Bach | 0:39 |
| 23 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 1 nel canone all’ ottava | Johann Sebastian Bach | 1:28 |
| 24 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 2 alio modo / nel canone alla quinta | Johann Sebastian Bach | 1:25 |
| 25 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 3. Canone alla settima. Cantabile | Johann Sebastian Bach | 2:20 |
| 26 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 4 per augmentationem / nel canone all’ ottava | Johann Sebastian Bach | 2:51 |
| 27 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 5. L’altra sorte del canone al rovescio: 1. alla sesta – 2. alla terza – 3. alla seconda e – 4. alla nona | Johann Sebastian Bach | 3:05 |
| 28 | Musical Offering, BWV 1079: 1. Ricercar a 3 | Johann Sebastian Bach | 6:38 |
| 29 | Musical Offering, BWV 1079: 1. Ricercar a 3 | Johann Sebastian Bach | 5:45 |
| 30 | Musical Offering, BWV 1079: 4a. Canon 1 a 2 cancrizans | Johann Sebastian Bach | 0:51 |
| 31 | Musical Offering, BWV 1079: 4b. Canon 2 a 2 Violini in unisono | Johann Sebastian Bach | 0:47 |
| 32 | Musical Offering, BWV 1079: 4c. Canon 3 a 2 per Motum contrarium | Johann Sebastian Bach | 0:33 |
| 33 | Musical Offering, BWV 1079: 4d. Canon 4 a 2 per Augmentationem, contrario Motu | Johann Sebastian Bach | 2:45 |
| 34 | Musical Offering, BWV 1079: 4e. Canon 5 a 2 per Tonos | Johann Sebastian Bach | 2:38 |
| 35 | Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente | Johann Sebastian Bach | 2:08 |
| 36 | Musical Offering, BWV 1079: 4g. Canon perpetuus super Thema Regium | Johann Sebastian Bach | 1:02 |
| 37 | Musical Offering, BWV 1079: 4h. Canon perpetuus | Johann Sebastian Bach | 2:18 |
| 38 | Musical Offering, BWV 1079: 4i. Canon a 2 | Johann Sebastian Bach | 1:41 |
| 39 | Musical Offering, BWV 1079: 4k. Canon a 4 | Johann Sebastian Bach | 1:57 |
| 40 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 1. Largo | Johann Sebastian Bach | 5:59 |
| 41 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 2. Allegro | Johann Sebastian Bach | 6:03 |
| 42 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 3. Andante | Johann Sebastian Bach | 2:48 |
| 43 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 4. Allegro | Johann Sebastian Bach | 3:15 |
| 44 | Musical Offering, BWV 1079: 2. Ricercar a 6 | Johann Sebastian Bach | 7:36 |