| 1 | Bram Stoker’s Dracula: The Brides | Wojciech Kilar | 4:25 |
| 2 | Thumbelina Suite: IV. Sad Song | Alla Pavlova | 3:41 |
| 3 | Hamlet Suite, op. 116a: The Ghost (Suite, no. 3) | Dmitry Shostakovich | 6:42 |
| 4 | Apariciones: Valses romanticos. Ghosts | Enrique Granados | 1:43 |
| 5 | The Invisible Man Returns: The Ghost (Orch. J. Morgan) | Frank Skinner | 2:08 |
| 6 | Peer Gynt Suite no. 1, op. 46: II. The Death of Aase | Edvard Grieg | 5:47 |
| 7 | 3 Utwory w dawnym stylu: III. — | Henryk Górecki | 4:27 |
| 8 | In Alium: Section A | John Tavener | 4:05 |
| 9 | Nocturne no. 19 in E minor, Op. 72 No. 1 | Fryderyk Chopin | 3:27 |
| 10 | Cantus in Memory of Benjamin Britten for Strings and Bells | Arvo Pärt | 7:47 |
| 11 | Hamlet Suite, op. 116a: Story of Horatio and the Ghost | Dmitry Shostakovich | 2:22 |
| 12 | Requiem: Introitus | Carl Rütti | 9:29 |
| 13 | Bram Stoker’s Dracula: Vampire Hunters | Wojciech Kilar | 3:05 |
| 14 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Ludwig van Beethoven | 5:20 |
| 15 | Requiem in D Minor, op. 48: Sanctus | Gabriel Fauré | 3:28 |
| 16 | Götterdämmerung (Twilight of the Gods), Act III: Siegfried’s Funeral March | Richard Wagner | 6:33 |
| 17 | Requiem in D Minor, K. 626: IIIf. Lacrimosa dies illa (Featured in “Primal Fear”) | Wolfgang Amadeus Mozart | 3:20 |
| 18 | Symphony No. 3, op. 36, “Smfonia pieśni żałosnych” (Symphony of Sorrowful Songs): II. Lento e largo [excerpt] | Henryk Górecki | 5:50 |
| 19 | La Belle et la Bête (Beauty and the Beast): Moments d’effroi [Frightful Moments] | Georges Auric | 4:14 |
| 20 | Piano Trio no. 5 in D major, op. 70, no. 1, “Ghost”: II. Largo assai ed espressivo | Ludwig van Beethoven | 9:44 |
| 21 | Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Anton Bruckner | 17:48 |
| 22 | Adagio for Strings, op. 11 | Samuel Barber | 7:38 |
| 23 | Company: IV. Quarter Note = 160 | Philip Glass | 2:41 |
| 24 | Tod und Verklärung, op. 24, TrV 158 (Death and Transfiguration) | Richard Strauss | 24:40 |