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发行版 / MUSIC ARCHIVE
Big Purcell Box
Henry Purcell
TRACKLIST
曲目表
碟片 1
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | The Fairy Queen, Z. 629, Suite I: I. Air | Wiener Solisten & Wilfried Böttcher | 1:40 |
| 2 | The Fairy Queen, Z. 629, Suite I: II. Rondeau | Wiener Solisten & Wilfried Böttcher | 1:42 |
| 3 | The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies | Wiener Solisten & Wilfried Böttcher | 0:57 |
| 4 | The Fairy Queen, Z. 629, Suite I: IV. Hornpipe | Wiener Solisten & Wilfried Böttcher | 1:01 |
| 5 | The Fairy Queen, Z. 629, Suite I: V. Jig | Wiener Solisten & Wilfried Böttcher | 1:14 |
| 6 | The Fairy Queen, Z. 629, Suite II: I. Prelude | Wiener Solisten & Wilfried Böttcher | 1:26 |
| 7 | The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance | Wiener Solisten & Wilfried Böttcher | 1:35 |
| 8 | The Fairy Queen, Z. 629, Suite II: III. Air | Wiener Solisten & Wilfried Böttcher | 1:28 |
| 9 | The Fairy Queen, Z. 629, Suite II: IV. Chaconne | Wiener Solisten & Wilfried Böttcher | 5:25 |
| 10 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 3:53 |
| 11 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 2:13 |
| 12 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 2:40 |
| 13 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:29 |
| 14 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 5:12 |
| 15 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 3:12 |
| 16 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 3:04 |
| 17 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:43 |
| 18 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 2:50 |
| 19 | The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732 | Concentus Musicus Wien & Nikolaus Harnoncourt | 2:46 |
| 20 | The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:09 |
| 21 | The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734 | Concentus Musicus Wien & Nikolaus Harnoncourt | 2:16 |
| 22 | The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:47 |
| 23 | The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:02 |
| 24 | The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:33 |
| 25 | The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741 | Concentus Musicus Wien & Nikolaus Harnoncourt | 4:34 |
| 26 | The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736 | Concentus Musicus Wien & Nikolaus Harnoncourt | 4:15 |
| 27 | The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:35 |
| 28 | The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737 | Concentus Musicus Wien & Nikolaus Harnoncourt | 4:14 |
| 29 | The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:44 |
| 30 | The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:42 |
| 31 | The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744 | Concentus Musicus Wien & Nikolaus Harnoncourt | 2:49 |
| 32 | The Fantasias for Viol, in Nomine of 7 Part, Z. 747 | Concentus Musicus Wien & Nikolaus Harnoncourt | 2:17 |
| 33 | The Fantasias for Viol, in Nomine of 6 Parts, Z. 746 | Concentus Musicus Wien & Nikolaus Harnoncourt | 3:31 |
| 34 | Rejoice in the Lord Alway (The Bell Anthem), Z. 49 | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 9:29 |
| 35 | Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694 | George Malcolm | 1:04 |
| 36 | Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647 | George Malcolm | 0:53 |
| 37 | Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648 | George Malcolm | 0:57 |
| 38 | Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689 | George Malcolm | 1:22 |
| 39 | Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649 | George Malcolm | 1:03 |
| 40 | Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650 | George Malcolm | 0:54 |
| 41 | Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655 | George Malcolm | 1:26 |
| 42 | Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682 | George Malcolm | 2:28 |
| 43 | Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646 | George Malcolm | 0:33 |
| 44 | Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653 | George Malcolm | 0:45 |
| 45 | Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656 | George Malcolm | 2:04 |
| 46 | Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688 | George Malcolm | 1:12 |
| 47 | My Beloved Spake, Z. 28: Symphony | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:03 |
| 48 | My Beloved Spake, Z. 28: My Beloved Spake | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 0:55 |
| 49 | My Beloved Spake, Z. 28: For, Lo, the Winter is Past | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:47 |
| 50 | My Beloved Spake, Z. 28: the Time of Singing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:46 |
| 51 | My Beloved Spake, Z. 28: and the Voice of the Turtle | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:31 |
| 52 | My Beloved Spake, Z. 28: the Fig Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 1:03 |
| 53 | My Beloved Spake, Z. 28: Arise | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 0:35 |
| 54 | My Beloved Spake, Z. 28: My Beloved is Mine | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | 3:06 |
| 55 | Harpsichord Suite No. 6 in D Major: I. Prelude | George Malcolm | 0:23 |
| 56 | Harpsichord Suite No. 6 in D Major: II. Allemande | George Malcolm | 2:40 |
| 57 | Harpsichord Suite No. 6 in D Major: III. Hornpipe | George Malcolm | 1:08 |
| 58 | The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:44 |
| 59 | The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:55 |
| 60 | The Masque in Dioclesian, Z. 627: Come, come away | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:07 |
| 61 | The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 4:18 |
| 62 | The Masque in Dioclesian, Z. 627: Paspe (Passepied) | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:52 |
| 63 | The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:40 |
| 64 | The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:53 |
| 65 | The Masque in Dioclesian, Z. 627: Make room for the great God | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:49 |
| 66 | The Masque in Dioclesian, Z. 627: I’m here with my jolly crew | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 2:26 |
| 67 | The Masque in Dioclesian, Z. 627: Dance of the Bacchanals | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:30 |
| 68 | The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:51 |
| 69 | The Masque in Dioclesian, Z. 627: Can Drusilla give me no more? | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 3:11 |
| 70 | The Masque in Dioclesian, Z. 627: Canaries | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:31 |
| 71 | The Masque in Dioclesian, Z. 627: Tell me why, my charming fair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 6:45 |
| 72 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:53 |
| 73 | The Masque in Dioclesian, Z. 627: All our days and nights | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 2:05 |
| 74 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:49 |
| 75 | The Masque in Dioclesian, Z. 627: Triumph Victorious Love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 5:18 |
| 76 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 2:01 |
| 77 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:41 |
| 78 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:42 |
| 79 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 2:38 |
| 80 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:24 |
| 81 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:24 |
| 82 | 82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:43 |
| 83 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 0:49 |
| 84 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:39 |
| 85 | The Masque in Dioclesian, Z. 627: Country Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | 1:05 |
| 86 | Chaconne in G Minor, Z. 730 | Wiener Kammerorchester & Franz Litschauer | 8:51 |
| 87 | Fantasia in G minor, Z.735 | Wiener Kammerorchester & Franz Litschauer | 3:38 |
| 88 | Fantasia in B-flat major, Z.736 | Wiener Kammerorchester & Franz Litschauer | 3:29 |
| 89 | Fantasia in F major, Z.737 | Wiener Kammerorchester & Franz Litschauer | 3:16 |
| 90 | Fantasia in C minor, Z.738 | Wiener Kammerorchester & Franz Litschauer | 5:07 |
| 91 | Fantasia on One Note, Z.745 | Wiener Kammerorchester & Franz Litschauer | 3:38 |
| 92 | Fantasia in D minor, Z.739 | Wiener Kammerorchester & Franz Litschauer | 4:02 |
| 93 | Fantasia in a minor, Z.740 | Wiener Kammerorchester & Franz Litschauer | 3:12 |
| 94 | Fantasia in E minor, Z.741 | Wiener Kammerorchester & Franz Litschauer | 4:03 |
| 95 | Fantasia in G major, Z.742 | Wiener Kammerorchester & Franz Litschauer | 3:21 |
| 96 | Fantasia in D minor, Z.743 | Wiener Kammerorchester & Franz Litschauer | 3:40 |
| 97 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 10:42 |
| 98 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 4:50 |
| 99 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 5:13 |
| 100 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 4:19 |
| 101 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 3:20 |
| 102 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 4:09 |
| 103 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 3:01 |
| 104 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 3:08 |
| 105 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Airy Violin | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 1:46 |
| 106 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): in Vain the Am'rous Flute | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 5:13 |
| 107 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Fife and All the Harmony of War | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 3:04 |
| 108 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 3:21 |
| 109 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | 5:00 |
| 110 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 3:17 |
| 111 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339 | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 2:31 |
| 112 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 4:06 |
| 113 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 1:36 |
| 114 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 2:04 |
| 115 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo) | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 1:53 |
| 116 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 3:04 |
| 117 | Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. in a Consort of Voices | Alfred Deller, April Cantelo, Eileen McLoughlin, Wilfred Brown, Gerald English, Owen Grundy, Maurice Bevan & Kalmar Chamber Orchestra of London | 1:27 |
| 118 | Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture | Hartford Symphony Orchestra & Fritz Mahler | 3:04 |
| 119 | Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau | Hartford Symphony Orchestra & Fritz Mahler | 1:15 |
| 120 | Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air | Hartford Symphony Orchestra & Fritz Mahler | 1:17 |
| 121 | Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air | Hartford Symphony Orchestra & Fritz Mahler | 1:13 |
| 122 | Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet | Hartford Symphony Orchestra & Fritz Mahler | 1:08 |
| 123 | Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air | Hartford Symphony Orchestra & Fritz Mahler | 1:45 |
| 124 | Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig | Hartford Symphony Orchestra & Fritz Mahler | 0:36 |
| 125 | Abdelazer Or the Moor’S Revenge Suite, Z.570: VIII. Hornpipe | Hartford Symphony Orchestra & Fritz Mahler | 0:39 |
| 126 | Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air | Hartford Symphony Orchestra & Fritz Mahler | 1:18 |
| 127 | The Married Beau, or the Curious Impertinent, Z. 603: I. Overture | Hartford Symphony Orchestra & Fritz Mahler | 2:43 |
| 128 | The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe | Hartford Symphony Orchestra & Fritz Mahler | 0:37 |
| 129 | The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air | Hartford Symphony Orchestra & Fritz Mahler | 1:19 |
| 130 | The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air | Hartford Symphony Orchestra & Fritz Mahler | 1:26 |
| 131 | The Married Beau, or the Curious Impertinent, Z. 603: V. Jig | Hartford Symphony Orchestra & Fritz Mahler | 1:20 |
| 132 | The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe | Hartford Symphony Orchestra & Fritz Mahler | 0:37 |
| 133 | The Married Beau, or the Curious Impertinent, Z. 603: VII. March | Hartford Symphony Orchestra & Fritz Mahler | 1:34 |
| 134 | The Married Beau, Or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground | Hartford Symphony Orchestra & Fritz Mahler | 1:13 |
| 135 | The Gordian Knot Untied, Z. 597: I. Overture | Hartford Symphony Orchestra & Fritz Mahler | 3:33 |
| 136 | The Gordian Knot Untied, Z. 597: II. Air | Hartford Symphony Orchestra & Fritz Mahler | 0:39 |
| 137 | The Gordian Knot Untied, Z. 597: III. Rondeau Minuet | Hartford Symphony Orchestra & Fritz Mahler | 2:15 |
| 138 | The Gordian Knot Untied, Z. 597: IV. Air | Hartford Symphony Orchestra & Fritz Mahler | 0:40 |
| 139 | The Gordian Knot Untied, Z. 597: V. Jig | Hartford Symphony Orchestra & Fritz Mahler | 0:38 |
| 140 | The Gordian Knot Untied, Z. 597: VI. Chaconne | Hartford Symphony Orchestra & Fritz Mahler | 2:09 |
| 141 | The Gordian Knot Untied, Z. 597: VII. Air | Hartford Symphony Orchestra & Fritz Mahler | 0:36 |
| 142 | The Gordian Knot Untied, Z. 597: VIII. Minuet | Hartford Symphony Orchestra & Fritz Mahler | 1:47 |
| 143 | The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture | Hartford Symphony Orchestra & Fritz Mahler | 2:12 |
| 144 | The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air | Hartford Symphony Orchestra & Fritz Mahler | 1:55 |
| 145 | The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe | Hartford Symphony Orchestra & Fritz Mahler | 0:36 |
| 146 | The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II | Hartford Symphony Orchestra & Fritz Mahler | 3:44 |
| 147 | The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro | Hartford Symphony Orchestra & Fritz Mahler | 0:58 |
| 148 | Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731 | Sir Neville Marriner, Peter Gibbs, Desmond Dupré & George Malcolm | 5:44 |
| 149 | Oedipus (1692), Z. 583 “Music for a While” | Alfred Deller & Walter Bergman | 4:05 |
| 150 | I Love and I Must, Z. 382 | Alfred Deller, April Cantelo & George Malcolm | 2:58 |
| 151 | The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines | Alfred Deller, Maurice Bevan & George Malcolm | 7:45 |
| 152 | The Fairy Queen – Epithalalmium “Thrice Happy Lovers” | Alfred Deller & Walter Bergmann | 3:07 |
| 153 | “If Music Be the Food of Love", 1st Version, Z 379A | Alfred Deller & Walter Bergmann | 2:37 |
| 154 | The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186 | Alfred Deller, April Cantelo & Walter Bergmann | 7:52 |
| 155 | Not All My Torments, Z. 400 | Alfred Deller & Walter Bergmann | 2:22 |
| 156 | Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184 | Alfred Deller, Maurice Bevan, April Cantelo & George Malcolm | 4:22 |
| 157 | King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling" | Alfred Deller & Walter Bergmann | 2:41 |
| 158 | Pausanias, Z. 585 “Sweeter than Roses" | Alfred Deller & Walter Bergmann | 3:35 |
| 159 | The Fatal Hour Comes on Apace, Z. 421 | Alfred Deller & Walter Bergmann | 4:22 |
| 160 | Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar” | Alfred Deller & Walter Bergmann | 2:50 |
| 161 | The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly" | Alfred Deller & Walter Bergmann | 2:17 |
| 162 | Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom” | Alfred Deller & Walter Bergmann | 3:10 |
| 163 | Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?" | Alfred Deller & Walter Bergmann | 3:53 |
| 164 | The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs" | Alfred Deller & Walter Bergmann | 7:17 |
| 165 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro | Granville Jones, Peter Gibbs, Desmond Dupré & George Malcolm | 1:20 |
| 166 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio | Granville Jones, Peter Gibbs, Desmond Dupré & George Malcolm | 1:46 |
| 167 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro | Granville Jones, Peter Gibbs, Desmond Dupré & George Malcolm | 1:44 |
| 168 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave | Granville Jones, Peter Gibbs, Desmond Dupré & George Malcolm | 1:21 |
| 169 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro | Granville Jones, Peter Gibbs, Desmond Dupré & George Malcolm | 1:24 |
| 170 | Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato | Sir Neville Marriner & George Malcolm | 2:55 |
| 171 | Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione | Sir Neville Marriner & George Malcolm | 1:45 |
| 172 | Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace | Sir Neville Marriner & George Malcolm | 1:14 |
| 173 | The Faerie Queen, Z. 629: Secrecie’s Song | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 2:04 |
| 174 | The Faerie Queen, Z. 629: Mystery’s Song | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 0:56 |
| 175 | Cantata “If ever I more riches did desire,” Z. 544 – Here let my life | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 2:52 |
| 176 | Ode on St. Cecilia’s Day, Z. 339 “Welcome to All the Pleasures” – Here the Deities approve | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 4:40 |
| 177 | Dioclesian, Z. 627 – Since from my dear Astrea’s sight | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 3:58 |
| 178 | The Faerie Queen, Z. 629: the Plaint | Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt | 7:28 |
| 179 | Dido and Aeneas, Z. 626: Overture | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 2:46 |
| 180 | Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:07 |
| 181 | Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 4:06 |
| 182 | Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:35 |
| 183 | Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:26 |
| 184 | Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 2:01 |
| 185 | Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:45 |
| 186 | Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:57 |
| 187 | Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:44 |
| 188 | Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:30 |
| 189 | Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:49 |
| 190 | Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:25 |
| 191 | Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:16 |
| 192 | Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:15 |
| 193 | Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:18 |
| 194 | Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:21 |
| 195 | Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:54 |
| 196 | Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:14 |
| 197 | Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:18 |
| 198 | Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:11 |
| 199 | Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:25 |
| 200 | Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:59 |
| 201 | Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:01 |
| 202 | Dido and Aeneas, Z. 626, Act 2: XI. Ritornello | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:36 |
| 203 | Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:14 |
| 204 | Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 2:09 |
| 205 | Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:34 |
| 206 | Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:55 |
| 207 | Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 3:07 |
| 208 | Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:40 |
| 209 | Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:19 |
| 210 | Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:51 |
| 211 | Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:58 |
| 212 | Dido and Aeneas, Z. 626, Act 3: V. Our next motion | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:43 |
| 213 | Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:37 |
| 214 | Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:21 |
| 215 | Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 4:20 |
| 216 | Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 1:14 |
| 217 | Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 0:53 |
| 218 | Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 3:06 |
| 219 | Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come | Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller | 2:33 |