| 1 | Tuning Notes | Troy Stetina | 0:16 |
| 2 | Simple Intervals: Interval Names, Shapes & Sounds | Troy Stetina | 0:54 |
| 3 | Simple Intervals: The A Major Scale | Troy Stetina | 0:12 |
| 4 | Tip: Identify Intervals by Sound | Troy Stetina | 0:28 |
| 5 | Simple Intervals: Identifying Intervals by Sound | Troy Stetina | 1:29 |
| 6 | Simple Intervals: "Vocal-leading" Interval Exercises | Troy Stetina | 0:29 |
| 7 | Relativity: Ear Training with Intervals | Troy Stetina | 1:12 |
| 8 | Minor Intervals | Troy Stetina | 0:41 |
| 9 | The Natural Minor Scale | Troy Stetina | 0:16 |
| 10 | Ear Training for Minor Intervals | Troy Stetina | 0:56 |
| 11 | Scale Formulas | Troy Stetina | 0:22 |
| 12 | Ear Training with Scales | Troy Stetina | 0:36 |
| 13 | The Tritone | Troy Stetina | 0:14 |
| 14 | Arpeggiated Triads | Troy Stetina | 0:36 |
| 15 | Ear Training with Triads | Troy Stetina | 1:21 |
| 16 | Ear Training for Chord Tones | Troy Stetina | 1:28 |
| 17 | Melodic Resolution | Troy Stetina | 1:18 |
| 18 | Ear Training: Chord and Non-Chord Tones | Troy Stetina | 1:22 |
| 19 | Short Melodic Fragments | Troy Stetina | 0:41 |
| 20 | Ear Training with Melody | Troy Stetina | 1:35 |
| 21 | Ear Training with Chromatics | Troy Stetina | 2:03 |
| 22 | Scale Sequencing | Troy Stetina | 0:43 |
| 23 | Improvised Scale/Voice Exercises | Troy Stetina | 1:07 |
| 24 | Interval Shape Alterations | Troy Stetina | 0:28 |
| 25 | Scale and Triad Shape Alteration | Troy Stetina | 0:37 |
| 26 | Two-Octave Positional Scales | Troy Stetina | 0:45 |
| 27 | Barre Chords and Arpeggios | Troy Stetina | 0:22 |
| 28 | Ear Training in the Upper Octave Range | Troy Stetina | 1:22 |
| 29 | 7th Arpeggios | Troy Stetina | 0:40 |
| 30 | Pentatonics: Shedding Diatonic Tones | Troy Stetina | 0:16 |
| 31 | Ear Training with Pentatonics | Troy Stetina | 1:41 |
| 32 | Ear Training with the Blues Scale | Troy Stetina | 0:47 |
| 33 | Modes of G Major | Troy Stetina | 0:38 |
| 34 | Ear Training with Modes | Troy Stetina | 1:54 |
| 35 | Tip: Memorizing Scales | Troy Stetina | 0:50 |
| 36 | Ear Training with Harmonic Minor | Troy Stetina | 0:35 |
| 37 | Ear Training with Phrygian-Dominant | Troy Stetina | 0:30 |
| 38 | Jazz Melodic Minor | Troy Stetina | 0:34 |
| 39 | Parallel Scale Exercise 1 | Troy Stetina | 1:27 |
| 40 | Parallel Scale Exercise 2 | Troy Stetina | 1:42 |
| 41 | G Major and A Dorian Melodies | Troy Stetina | 1:26 |
| 42 | Harmonized C Major | Troy Stetina | 0:23 |
| 43 | Chords in C Major | Troy Stetina | 0:14 |
| 44 | C Major Harmonized to 7ths | Troy Stetina | 0:30 |
| 45 | Basic Chord Resolution | Troy Stetina | 0:33 |
| 46 | Ear Training with Primary Chord Progression | Troy Stetina | 2:03 |
| 47 | Ear Training with Secondary Chords | Troy Stetina | 1:50 |
| 48 | Ear Training with Minor Key Progressions | Troy Stetina | 1:47 |
| 49 | Ear Training Progressions with Inversions | Troy Stetina | 1:22 |
| 50 | Riffs | Troy Stetina | 0:34 |
| 51 | Pedal Tone and Palm-Muted Pedal Tone | Troy Stetina | 0:19 |
| 52 | Progressions with Parallel Major/Minor Chords | Troy Stetina | 0:26 |
| 53 | Ear Training with Blended Tonalities | Troy Stetina | 1:27 |
| 54 | Advanced Resolution | Troy Stetina | 2:52 |
| 55 | "Sunrise" Bridge (Authentic Cadence) | Troy Stetina | 0:15 |
| 56 | ii7-V7-Imaj7 Jazz Progression | Troy Stetina | 0:24 |
| 57 | II-V-I ("March in G," J. S. Bach) | Troy Stetina | 0:25 |
| 58 | Cascading Resolutions ("5th Caprice," N. Paganini) | Troy Stetina | 0:33 |
| 59 | Cadential Six-Four ("5th Caprice," N. Paganini) | Troy Stetina | 0:28 |
| 60 | Multiple Resolution, Single Target ("Appassionata," L. van Bethoven) | Troy Stetina | 0:38 |
| 61 | Melodies over Progressions | Troy Stetina | 1:27 |
| 62 | Making Melodies, Major Progressions with Secondary Chords | Troy Stetina | 1:32 |
| 63 | Melodies over i-bVI-bVII Minor Progression | Troy Stetina | 1:08 |
| 64 | Melodies Over Progression with Parallel Tonality | Troy Stetina | 1:01 |
| 65 | Melody over Droning Riff ("Tao of Metal," from Metal Rhythm Guitar Volume 2) | Troy Stetina | 1:02 |
| 66 | Melody/Solo over Tonic Groove | Troy Stetina | 0:37 |
| 67 | Melody with Two- and Three-Part Harmony | Troy Stetina | 0:19 |
| 68 | Melody with Harmony in 6ths | Troy Stetina | 0:14 |
| 69 | C Major Harmonized in 6ths | Troy Stetina | 0:26 |
| 70 | A Minor Pentatonic Boxes | Troy Stetina | 1:34 |
| 71 | Pentatonic Exercise #1 | Troy Stetina | 0:27 |
| 72 | Pentatonic Exercies #2, Improv | Troy Stetina | 0:39 |
| 73 | Moving Licks Between Boxes | Troy Stetina | 1:19 |
| 74 | F#m Pentatonic to A Major Pentatonic | Troy Stetina | 0:16 |
| 75 | "Bluegrass Country-Blues Major Pentatonic Rockout" | Troy Stetina | 1:48 |
| 76 | Arpeggio Study ("Cannon in D," J. Pachelbel) | Troy Stetina | 0:40 |
| 77 | Natural Minor Positional Licks | Troy Stetina | 0:45 |
| 78 | Em, Three-Notes-Per-String Drills | Troy Stetina | 0:58 |
| 79 | Am, Three-Notes-Per-String Drills | Troy Stetina | 0:36 |
| 80 | Gm, Three-Notes-Per-String Sequences | Troy Stetina | 1:13 |
| 81 | Fm, Three-Notes-Per-String Drills | Troy Stetina | 0:15 |
| 82 | Fm, Three-Notes-Per-String Drills #2 | Troy Stetina | 0:26 |
| 83 | Bm Hexatonic "Chunking" Lick | Troy Stetina | 0:13 |
| 84 | Insane Arpeggios | Troy Stetina | 0:25 |
| 85 | "My Funk" 1:30-1:45 | Troy Stetina | 0:27 |
| 86 | "Exottica" 0:35-0:58 | Troy Stetina | 0:33 |
| 87 | "Exottica" 2:00-2:24 | Troy Stetina | 0:30 |
| 88 | Eb Slack Tuning - Low E String | Troy Stetina | 0:11 |
| 89 | "Sunrise" | Troy Stetina | 4:00 |