| 1 | Toccata & Fuge d-moll. BWV 565 | Johann Sebastian Bach | 11:45 |
| 2 | Choralvorspiel »Wachet auf, ruft uns die Stimme«. BWV 645 aus »6 Schübler-Choräle | Johann Sebastian Bach | 4:24 |
| 3 | Concerto C-dur. BWV 594 (nach Vivaldi-Concerto op. 7/11): 1. Satz | Johann Sebastian Bach | 7:25 |
| 4 | Suite gothique: Introduction - Choral | Léon Boëllmann | 2:35 |
| 5 | Suite gothique: Menuet gothique | Léon Boëllmann | 3:15 |
| 6 | Suite gothique: Priere à Notre-Dame | Léon Boëllmann | 5:31 |
| 7 | Suite gothique: Toccata | Léon Boëllmann | 3:51 |
| 8 | Grand Chœur dialogué | Eugène Gigout | 6:43 |
| 9 | Pièce héroïque | César Franck | 8:25 |
| 10 | Symphonie Nr. 1 d-moll, op. 14: Finale | Louis Vierne | 7:20 |
| 11 | Pièces de fantaisie, op. 54: Carillon de Westminster | Louis Vierne | 7:10 |
| 12 | Symphonie Nr. 5 f-moll, op. 42/1: Toccata | Charles‐Marie Widor | 5:41 |
| 13 | Audio‐Testsignale: Ansage Balance‐Test | [unknown] | 0:17 |
| 14 | Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB | [unknown] | 0:11 |
| 15 | Audio‐Testsignale: Ansage | [unknown] | 0:05 |
| 16 | Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB | [unknown] | 0:10 |
| 17 | Audio‐Testsignale: Ansage Phasentest | [unknown] | 0:10 |
| 18 | Audio‐Testsignale: Phase »ein« | [unknown] | 0:14 |
| 19 | Audio‐Testsignale: Phase »aus« | [unknown] | 0:12 |
| 20 | Audio‐Testsignale: Ansage | [unknown] | 0:40 |
| 21 | Audio‐Testsignale: Ansage Spitzenpegel | [unknown] | 0:05 |
| 22 | Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel) | [unknown] | 0:11 |
| 23 | Audio‐Testsignale: Ansage | [unknown] | 0:05 |
| 24 | Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel) | [unknown] | 0:11 |
| 25 | Audio‐Testsignale: Ansage Gleitfrequenzgang | [unknown] | 0:17 |
| 26 | Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB | [unknown] | 0:51 |
| 27 | Audio‐Testsignale: Ansage | [unknown] | 0:15 |