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发行版 / MUSIC ARCHIVE
Masterworks of the 20th Century
Boulez, Cage, Crumb, Ives, Nono, Partch, Schuller, Stravinsky, Takemitsu; Leinsdorf, Maderna, Ozawa, Minton, Kirkpatrick
TRACKLIST
曲目表
碟片 1
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Le marteau sans maître: I. Avant l'Artisanat furieux | Pierre Boulez | 1:49 |
| 2 | Le marteau sans maître: II. Commentaire I de Bourreaux de solitude | Pierre Boulez | 4:07 |
| 3 | Le marteau sans maître: III. L'Artisanat furieux | Pierre Boulez | 2:30 |
| 4 | Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude | Pierre Boulez | 4:37 |
| 5 | Le marteau sans maître: V. Bel édifice et les pressentiments I | Pierre Boulez | 3:55 |
| 6 | Le marteau sans maître: VI. Bourreaux de solitude | Pierre Boulez | 4:15 |
| 7 | Le marteau sans maître: VII. Après l'Artisanat furieux | Pierre Boulez | 1:05 |
| 8 | Le Marteau sans Maître: VIII. Commentaire III de Bourreaux de solitude | Pierre Boulez | 5:48 |
| 9 | Le marteau sans maître: IX. Bel édifice et les pressentiments II | Pierre Boulez | 8:05 |
| 10 | Livre pour cordes: 1a Variation | Pierre Boulez | 6:37 |
| 11 | Livre pour cordes: 1b Mouvement | Pierre Boulez | 4:01 |
碟片 2
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Asterism for Piano and Orchestra | Tōru Takemitsu | 11:45 |
| 2 | Requiem for String Orchestra | Tōru Takemitsu | 7:46 |
| 3 | Green (November Steps II) for Orchestra | Tōru Takemitsu | 5:41 |
| 4 | The Dorian Horizon for 17 Strings | Tōru Takemitsu | 9:03 |
碟片 3
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Agon | Igor Stravinsky | 20:36 |
| 2 | 7 Studies on Themes of Paul Klee for Orchestra: Antique Harmonies | Gunther Schuller | 2:22 |
| 3 | 7 Studies on Themes of Paul Klee for Orchestra: Abstract Trio | Gunther Schuller | 1:39 |
| 4 | 7 Studies on Themes of Paul Klee for Orchestra: Little Blue Devil | Gunther Schuller | 3:03 |
| 5 | 7 Studies on Themes of Paul Klee for Orchestra: The Twittering Machine | Gunther Schuller | 2:07 |
| 6 | 7 Studies on Themes of Paul Klee for Orchestra: 5. Arab Village | Gunther Schuller | 6:51 |
| 7 | 7 Studies on Themes of Paul Klee for Orchestra: An Eerie Moment | Gunther Schuller | 2:03 |
| 8 | 7 Studies on Themes of Paul Klee for Orchestra: Pastorale | Gunther Schuller | 2:55 |
碟片 4
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Piano Sonata no. 2 "Concord, Mass., 1840-60": I. Emerson | Charles Ives | 13:36 |
| 2 | Piano Sonata no. 2 "Concord, Mass., 1840-60": II. Hawthorne | Charles Ives | 10:06 |
| 3 | Piano Sonata no. 2 "Concord, Mass., 1840-60": III. The Alcotts | Charles Ives | 4:41 |
| 4 | Piano Sonata no. 2 "Concord, Mass., 1840-60": IV. Thoreau | Charles Ives | 9:43 |
| 5 | Emerson (end of exposition) | Charles Ives | 2:01 |
| 6 | Emerson (most of recapitulation) | Charles Ives | 4:00 |
| 7 | Hawthorne (fragment) | Charles Ives | 0:13 |
| 8 | The Alcotts (complete) | Charles Ives | 4:53 |
| 9 | Emerson Transcription No. 1 with Interpolated Improvisations | Charles Ives | 5:19 |
| 10 | Emerson Transcription No. 3 with Interpolated Improvisations | Charles Ives | 2:33 |
碟片 5
碟片 6 The World of Harry Partch
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Daphne of the Dunes | Harry Partch | 17:28 |
| 2 | Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California | Harry Partch | 9:20 |
| 3 | Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances: | Harry Partch | 16:19 |
| 4 | Partch in Prologue, Adapted Viola | Harry Partch | 3:55 |
| 5 | Chromelodeon I | Harry Partch | 2:29 |
| 6 | Kithara I | Harry Partch | 1:08 |
| 7 | Castor & Pollux (Harmonic Canon II) | Harry Partch | 0:48 |
| 8 | Diamond Marimba | Harry Partch | 1:28 |
| 9 | Bass Marimba | Harry Partch | 1:21 |
| 10 | Cloud-Chamber Bowls | Harry Partch | 1:50 |
| 11 | Spoils of War | Harry Partch | 1:57 |
| 12 | Surrogate Kithara | Harry Partch | 1:24 |
| 13 | Kithara II | Harry Partch | 1:20 |
| 14 | Boo | Harry Partch | 1:55 |
| 15 | Harmonic Canon I | Harry Partch | 1:15 |
| 16 | Zymo-Xyl | Harry Partch | 1:43 |
| 17 | Mazda Marimba | Harry Partch | 1:35 |
| 18 | Gourd Tree & Cone Gong | Harry Partch | 1:49 |
| 19 | Hand Instruments, Partch in Epilogue | Harry Partch | 3:04 |
碟片 7 Extended Voices
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Sound Patterns | Pauline Oliveros | 4:00 |
| 2 | North American Time Capsule 1967 | Alvin Lucier | 10:16 |
| 3 | Solos for Voice 2 | John Cage | 12:49 |
| 4 | She Was a Visitor | Robert Ashley | 5:50 |
| 5 | Extended Voices | Toshi Ichyanagi | 11:04 |
| 6 | Chorus and Instruments II | Morton Feldman | 5:05 |
| 7 | Christian Wolff in Cambridge | Morton Feldman | 3:48 |
碟片 8
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Akrata | Iannis Xenakis | 11:59 |
| 2 | Syzygy | David Del Tredici | 24:18 |
| 3 | Zyklus for a percussionist (no. 9) : | Karlheinz Stockhausen | 11:36 |
| 4 | Fontana Mix - Feed | John Cage | 10:14 |
| 5 | Lux Aeterna for 5 Masked Musicians | George Crumb | 13:25 |
碟片 9
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Stereo Electronic Music No. 1 | Bülent Arel | 10:30 |
| 2 | Leiyla and the Poet | Halim El‐Dabh | 5:18 |
| 3 | Prologue: Enuma Elish (from 3 scenes from The Creation) | Vladimir Ussachevsky | 8:13 |
| 4 | Composition for Synthesizer | Milton Babbitt | 10:36 |
| 5 | Electronic Study No. 1 | Mario Davidovsky | 5:50 |
| 6 | Gargoyles | Otto Luening | 9:22 |
| 7 | Ensembles for Synthesizer | Milton Babbitt | 10:41 |
碟片 10
| 序号 | 曲目 | 艺人 | 时长 |
|---|---|---|---|
| 1 | Sonatine for Flute and Piano | Pierre Boulez | 13:03 |
| 2 | Interpolation: Mobile for Flute (1, 2 and 3) | Roman Haubenstock-Ramati | 4:53 |
| 3 | Concerto no. 1 for Oboe and Chamber Orchestra | Bruno Maderna | 18:52 |
| 4 | Y Su Sangre Ya Viene Cantando | Luigi Nono | 16:22 |
| 5 | Serenade I for Flute and 14 Instruments | Luciano Berio | 10:42 |